Got Her: At the Topshop venue! Stalked Her: Because we've spent the past two weeks wondering how in the world she can make pants and a t-shirt look so chic. Shot Her: Because we're starting to miss New York and it's nice to talk to a familiar face. Plus, we knew you'd want to see her. She Says: "Can you believe I packed like fifty-two pairs of socks and three pairs of knickers? What was I thinking?!" We Say: At least you remembered that clutch. | |
| For 20 years, I've been fascinated by Patrick Kelly, the designer of my controversial leopard-print dress. Kelly designed his own label from 1985 to 1989. He died of AIDS on New Year's Day in 1990 at the age of 35. (At the time, the death was attributed to bone marrow disease and a brain tumor, but since then his partner has confirmed that the cause was AIDS). Kelly was a gay black man from Mississippi without formal training, whose stretchy, button-decorated clothes were inspired by his grandmother's sewing. He became the first American member of the Chambre Syndicale du Prêt-à-Porter (the governing body of the French ready-to-wear industry). Patrick Kelly with a model in a button dressPhoto from Fashionwindows Kelly went to Paris in 1980, when the model Pat Cleveland anonymously gave him an airplane ticket. He worked for Paco Rabanne, catered and put on guerrilla fashion shows until 1985, when French Elle did a major spread on him. Kelly's career took off. Kelly and models wearing his typical animal print designsPhoto from the Brooklyn Museum Another big break came in 1987, when actress Bette Davis, then pushing 80, appeared on the David Letterman show in one of Kelly's ultra-tight dresses. I wish I could find a clip of this appearance on YouTube. (It is available on one of the David Letterman "best of" DVDs.) Davis made a special point of showing off the dress and talked up Kelly so much, that Linda Wachner of Warnaco immediately signed on as a financial backer. Hmmm! People always tell me, "It takes seven years to become an overnight success." I guess they're right. Kelly had an enormous collection of black memorabilia, including "Mammy" and "Aunt Jemima" dolls. Always willing to provoke people, Kelly used those racial images in his work, incorporating a "golliwog" caricature into his logo. He also gave out little black baby-doll pins by the thousands.
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